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<rss xmlns:dc="http://purl.org/dc/elements/1.1/" version="2.0"><channel><atom:link rel="hub" href="http://tumblr.superfeedr.com/" xmlns:atom="http://www.w3.org/2005/Atom"/><description></description><title>Archive of Problems</title><generator>Tumblr (3.0; @archiveofproblems)</generator><link>http://archiveofproblems.tumblr.com/</link><item><title>Confession</title><link>http://archiveofproblems.tumblr.com/post/50428825100</link><guid>http://archiveofproblems.tumblr.com/post/50428825100</guid><pubDate>Tue, 14 May 2013 13:11:00 -0400</pubDate></item><item><title>Baby Jane Holzer - Andy Warhol Screen Test</title><link>http://archiveofproblems.tumblr.com/post/48867403722</link><guid>http://archiveofproblems.tumblr.com/post/48867403722</guid><pubDate>Thu, 25 Apr 2013 14:52:00 -0400</pubDate></item><item><title>To disobey in order to take action is the byword of all creative spirits. </title><description> “The history of human progress amounts to a series of Promethean acts. But autonomy is also...</description><link>http://archiveofproblems.tumblr.com/post/48325339346</link><guid>http://archiveofproblems.tumblr.com/post/48325339346</guid><pubDate>Thu, 18 Apr 2013 22:02:00 -0400</pubDate></item><item><title>Neo-Materialism, Part One: The Commodity and the Exhibition by Joshua Simon</title><description> It is perfectly understandable that the dandy, the man who is never ill at ease, would be the ideal...</description><link>http://archiveofproblems.tumblr.com/post/44884336947</link><guid>http://archiveofproblems.tumblr.com/post/44884336947</guid><pubDate>Fri, 08 Mar 2013 16:41:00 -0500</pubDate></item><item><title>The pedagogy of negating the institution—Some reflections on the anti-hospital and the anti-university</title><description>&amp;#8220;The biopolitical moulding of bodies integrated with a rather crude sorting mechanism...</description><link>http://archiveofproblems.tumblr.com/post/44395268105</link><guid>http://archiveofproblems.tumblr.com/post/44395268105</guid><pubDate>Sat, 02 Mar 2013 15:41:00 -0500</pubDate></item><item><title>10 Enemas for Contemporary Art by Sina Najafi</title><description>
1. Ban the word &amp;#8220;contemporary&amp;#8221;.It has no philosophical basis and discourages a...</description><link>http://archiveofproblems.tumblr.com/post/42763922659</link><guid>http://archiveofproblems.tumblr.com/post/42763922659</guid><pubDate>Sun, 10 Feb 2013 12:29:00 -0500</pubDate></item><item><title>Arte y giro cultural: ¿Adiós al arte autónomo comprometido?[1] - Irmgard Emmelhainz</title><description>
Hoy en día, se considera que las voces de los artistas son importantes para darle forma a la...</description><link>http://archiveofproblems.tumblr.com/post/41293516826</link><guid>http://archiveofproblems.tumblr.com/post/41293516826</guid><pubDate>Wed, 23 Jan 2013 14:26:00 -0500</pubDate></item><item><title>La Hora De Los Hornos - Getino-Solanas (1969) Documental</title><description>
Titulo: La hora de los hornos: Notas y testimonios sobre el neocolonialismo, la violencia y la...</description><link>http://archiveofproblems.tumblr.com/post/37758500431</link><guid>http://archiveofproblems.tumblr.com/post/37758500431</guid><pubDate>Tue, 11 Dec 2012 21:23:00 -0500</pubDate></item><item><title>Artistic Activism and Agonistic Spaces by Chantal Mouffe</title><description>Can artistic practices still play a critical role in a society where the difference between art and...</description><link>http://archiveofproblems.tumblr.com/post/33714342678</link><guid>http://archiveofproblems.tumblr.com/post/33714342678</guid><pubDate>Tue, 16 Oct 2012 13:11:00 -0400</pubDate><category>Art</category><category>Activism</category><category>Agonistic Spaces</category><category>Chantal Mouffe</category></item><item><title>Signifying Nothing: 'Culture,' 'Discourse' and the Sociality of Affect by Jeremy Gilbert</title><description>Two words are so indispensable to the vocabulary of the contemporary humanities that they barely...</description><link>http://archiveofproblems.tumblr.com/post/29910531194</link><guid>http://archiveofproblems.tumblr.com/post/29910531194</guid><pubDate>Tue, 21 Aug 2012 14:57:00 -0400</pubDate><category>Jeremy Gilbert</category><category>Signifying Nothing</category><category>Culture</category><category>Discourse</category><category>Sociality</category><category>Affect</category><category>Texts</category></item><item><title>Hannah Arendt by d'Entreves, Maurizio Passerin</title><description>book title: The Stanford Encyclopedia of Philosophy
editor: Edward N. Zalta
year: 2008
edition: Fall...</description><link>http://archiveofproblems.tumblr.com/post/29466865364</link><guid>http://archiveofproblems.tumblr.com/post/29466865364</guid><pubDate>Wed, 15 Aug 2012 02:23:00 -0400</pubDate><category>Hannah Arendt</category></item><item><title>Krzysztof Wodiczko: Projections</title><description>
This full-length documentary examines the work of Krzysztof Wodiczko, an artist who has taken his...</description><link>http://archiveofproblems.tumblr.com/post/28181652148</link><guid>http://archiveofproblems.tumblr.com/post/28181652148</guid><pubDate>Sat, 28 Jul 2012 01:40:00 -0400</pubDate><category>Projections</category><category>Videos</category><category>Krzysztof Wodiczko</category><category>Documentary</category><category>Social</category></item><item><title>What critical frameworks have been developed for analysing socially engaged practices and how can they be applied? Analysing the critical fields for participation in socially engaged practices. By Max Dovey</title><description>What critical frameworks have been developed for analysing socially engaged practises and how can...</description><link>http://archiveofproblems.tumblr.com/post/28026330672</link><guid>http://archiveofproblems.tumblr.com/post/28026330672</guid><pubDate>Wed, 25 Jul 2012 22:42:00 -0400</pubDate><category>Engaged Art</category><category>Participation</category><category>Max Dovey</category><category>Dada</category><category>Fluxus</category><category>Happenings</category><category>Allan Kaprow'</category><category>Relational Aesthetics</category><category>Public Art</category><category>Nicholas Bourriaud</category><category>Rirkrit Tiravanija</category><category>Liam Gillick</category><category>Felix Gonzalez Torres</category><category>Deleuze Guattari</category><category>Tiravanija</category></item><item><title>Intention and Artifice: William J. Mitchell</title><description>This is a text only version of Chapter Three of The Reconfigured Eye: Visual Truth in the...</description><link>http://archiveofproblems.tumblr.com/post/27952555611</link><guid>http://archiveofproblems.tumblr.com/post/27952555611</guid><pubDate>Tue, 24 Jul 2012 22:25:00 -0400</pubDate><category>William J. Mitchell</category><category>Intention and Artifice</category><category>Texts</category></item><item><title>Political Activism and Art: A Consideration of the Implications of New Developments in Practic by Daphne Plessner</title><description>
Oliver Ressler, We Have a Situation Here. 2011. photo series
By way of clarification, there are...</description><link>http://archiveofproblems.tumblr.com/post/27583771859</link><guid>http://archiveofproblems.tumblr.com/post/27583771859</guid><pubDate>Thu, 19 Jul 2012 18:37:00 -0400</pubDate><category>Political</category><category>Activism</category><category>Art</category><category>Daphne Plessner</category></item><item><title>Symposium: Is Photography Over?</title><description>
Here&amp;#8217;s a blast from the not-too-distant past. Back in 2010 SFMOMA organised a fantastic...</description><link>http://archiveofproblems.tumblr.com/post/27497218458</link><guid>http://archiveofproblems.tumblr.com/post/27497218458</guid><pubDate>Wed, 18 Jul 2012 15:05:00 -0400</pubDate><category>Is Photography Over?</category><category>SFMOMA</category><category>Vince Aletti</category><category>Walead Beshty</category><category>Jennifer Blessing</category><category>Charlotte Cotton</category><category>Philip-Lorca diCorcia</category><category>Geoff Dyer</category><category>Peter Galassi</category><category>Corey Keller</category><category>Douglas Nickel</category><category>Trevor Paglen</category><category>Blake Stimson</category><category>Joel Snyder</category></item><item><title>Nancy Spero, Martha Rosler, and Robert Barry by Marjorie Welish</title><description>
Robert Barry, Somehow, 1976. 81 slides projected at 15 second intervals in carousel projector, #0 –...</description><link>http://archiveofproblems.tumblr.com/post/27304821331</link><guid>http://archiveofproblems.tumblr.com/post/27304821331</guid><pubDate>Sun, 15 Jul 2012 23:04:00 -0400</pubDate><category>Nancy Spero</category><category>Martha Rosler</category><category>Robert Barry</category><category>Marjorie Welish</category><category>Interviews</category></item><item><title>
La casa, la calle, la cocina, es el título de la exposición...</title><description>&lt;iframe width="400" height="300" src="http://www.youtube.com/embed/DYxHqUZXdgw?wmode=transparent&amp;autohide=1&amp;egm=0&amp;hd=1&amp;iv_load_policy=3&amp;modestbranding=1&amp;rel=0&amp;showinfo=0&amp;showsearch=0" frameborder="0" allowfullscreen&gt;&lt;/iframe&gt;&lt;br/&gt;&lt;br/&gt;&lt;div&gt;
&lt;p&gt;La casa, la calle, la cocina, es el título de la exposición retrospectiva que el Centro José Guerrero de Granada ha realizado en torno a la obra de Martha Rosler, resume los elementos de una tensión sobre la que ha trabajado a lo largo de sus más de treinta años de carrera. Para Rosler, que parte de las bases de un pensamiento político y feminista, el poder opresivo inunda todos los ámbitos de la sociedad y la relación entre lo público y lo privado es de absoluta dependencia. Este video recoge algunos momentos de la conversación entre Tesis y Martha Rosler durante su estancia en Granada y una muestra algunas obras que se presentaron durante su exposición.&lt;/p&gt;
&lt;p&gt;&lt;a href="http://www.martharosler.net/" target="_blank"&gt;http://www.martharosler.net/&lt;/a&gt;&lt;/p&gt;
&lt;/div&gt;</description><link>http://archiveofproblems.tumblr.com/post/27240041940</link><guid>http://archiveofproblems.tumblr.com/post/27240041940</guid><pubDate>Sun, 15 Jul 2012 00:37:00 -0400</pubDate><category>Martha Rosler</category><category>La casa la calle la cocina</category><category>Restrospectiva</category></item><item><title>Art Without Artists? - Anton Vidokle </title><description> 
It is clear that curatorial practice today goes well beyond mounting art exhibitions and caring...</description><link>http://archiveofproblems.tumblr.com/post/16414002773</link><guid>http://archiveofproblems.tumblr.com/post/16414002773</guid><pubDate>Tue, 24 Jan 2012 12:55:23 -0500</pubDate></item><item><title>The ecstasy of influence: A plagiarism -  Jonathan Lethem</title><description>&amp;#8220;All mankind is of one author, and is one volume; when one man dies, one chapter is not torn...</description><link>http://archiveofproblems.tumblr.com/post/7579130789</link><guid>http://archiveofproblems.tumblr.com/post/7579130789</guid><pubDate>Wed, 13 Jul 2011 13:55:00 -0400</pubDate><category>plagiarism</category><category>Jonathan Lethem</category></item></channel></rss>
